Wednesday, October 31, 2018

Wright Way to Write?

I'm fascinated by the conflict between Hurston and Wright. From the documentary and Henry Louis Gates Jr.'s afterword, it is clear that the two authors have diametrically opposed stances on black literature. While Wright believes that black authors should write with a clear message critiquing racism in American society, Hurston prefers a snapshot of black community, culture, and life. 

In a way, these opposing visions reflect the opposition between the Brotherhood and the narrator. The Brotherhood is intent on defining every aspect of life in terms of a social problem, to be solved using scientific methodology. Similarly, Wright only wants black authors to write about social problems. He thinks black literature is the only way to address these problems and sees all other genres of black literature as irrelevant and unproductive. 

On the other hand, the invisible man emphasizes the complexity of humanity. He refuses to be defined as a symptom of the Brotherhood's vague social problems. The narrator is more intent on finding his own personal truth, which is why he resorts to hibernation (interestingly, Hurston also resorts to a form of hibernation towards the end of her life). Hurston is also an advocate of individualism. There were times when she didn't want to identify as black because she didn't want to be stuck in a category of people. All of her anthropological and literary work focused on black towns, where there were no black-white tensions. She was inspired by folklore and dialect, which are cultural aspects of the black community, as opposed to political. 

Wright harshly criticizes Hurston for writing with "no theme, no message, no thought." This is similar to how the Brotherhood condemned the narrator for his eulogy. His speech didn't politically organize the people, and therefore was a waste of time and words. It didn't matter that the narrator had a more powerful, personal, raw message to share. 

Hurston criticizes Wright for writing a "treatise on sociology" instead of a black novel. Similarly, the narrator stands up for his eulogy after the Brotherhood insults it. The narrator points out that the Brotherhood fails to include people like the zoot suiters in their methodology, just like Hurston implies that Wright fails to include black culture in his novels. 

I realize that this is a biased analogy. If you agree with Wright that Hurston's novel should have a more direct political message, I'd love to hear your thoughts. Whatever your opinion is, I think the Wright/Hurston and Brotherhood/narrator conflicts have some compelling similarities. In both cases, there is a social science side and a humanity side. A systematic side and an individual side. 

I do see one similarity between Wright and Hurston, however. Both believe they have a personal responsibility to write in the way they do. This at least distances Wright from the soulless nature of the Brotherhood. 


4 comments:

  1. Wright's basically saying that all black literature should be protest literature, but Hurston seems to be trying to show that black culture isn't just a product of opposition against whites, and that they have their own customs and ways of life.

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  2. I think that they both have pretty obviously important ways of writing and topics of their writing, I think the difference between Hurston and Wright is that wright doesn't recognize this fact. Also Wright was not a very revolutionary writer for his time, there were certainly other African Americans writers talking about race, but Hurston seems to have been a little bit before her time.

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  3. Your post made me think about how I would compare Ellison to Hurston when comparing both to Wright (if that makes any sense). Ellison's and Hurston's approach to writing about black life are in many ways very similar. One obvious difference is that Ellison engages with political themes more overtly but I think another significant difference is that Hurston portrays the importance of relationships to Janie while the narrator is extremely isolated. Given that Wright's Bigger is also a pretty isolated character, I wonder if part of what Wright sees as not serious is depicting serious relationships.

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  4. First of all, bravo on connecting all three of those books. You propose really interesting and original ideas. To go on a slight tangent, it's interesting to me that Wright criticizes Hurston on making her characters too stereotypical and making the book for white people, even though the exact same thing could be said (and was said) about Native Son. The Brotherhood also has that kind of contradicting/hypocritical vibe to it.

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